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  • Alexander Rodchenko: The Simple and the Commonplace - Artforum
    Rodchenko was a prolific graphic designer, theatre and film designer, photographer and illustrator Until eclipsed by orthodoxies of Socialist Realism, over which he refused to compromise, he occupied for many years a distinct place in the sun During the most important period of his career he moved into a position whereby painting became for him a redundant activity, although later he
  • Back to the Material: Rodchenko’s Photographic Ideology
    The members actively supported Rodchenko’s plastic work and encouraged his orientation to photography, since that tended to direct the evolution of the plastic arts toward the “factual-Productivist” camp, whose veritable thirst for the “new social reality” so animated the work of the literary Productivists united in the circle of Lef
  • Alexander Rodchenko - artforum. com
    Alexander Rodchenko was a leading figure of the early 20th-century Russian avant-garde, and one of Modernism’s most vigorous proponents and visionary talents
  • WHO’S AFRAID OF RED, YELLOW, AND BLUE? - Artforum
    The guilty party is Alexander Rodchenko In 1921, at the “5×5 = 25” exhibition in Moscow, he showed three monochrome canvases side by side, one red, one yellow, and one blue, and explained them as follows: “I reduced painting to its logical conclusion and exhibited three canvases: red, blue and yellow I affirmed: It’s all over
  • Alexandr Rodchenko
    In the 1920s, Alexandr Rodchenko built finely detailed, free-floating, geometric cardboard models and massive sculptures made from squared-timber pieces His interest lay in spatial investigation rather than completed objects, however,…
  • The Language of Forms and Colors - Artforum
    Rodchenko’s problems during this period concern “the concentration of color and color-writing, the clarification of color, the luminosity of color, the abstraction of color, decoloration, and deluminization ” We seem to be assisting at an extraordinary theatrical production in which the sole actor animates every aspect of the play
  • “Russian Samizdat Art 1960–1982”
    Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko; in the general interest of the Russian intelligentsia in linguistics and the moral, religious, even life-anddeath
  • Beverly Glenn-Copeland and Elizabeth Copeland on 2025s Best Music
    Beverly Glenn-Copeland and Elizabeth Copeland share their favorite music of 2025, including Jon Batiste, Trans Music Archive, and OTH Songs
  • Jill Giegerich - artforum. com
    By carefully avoiding the loaded historical rhetoric usually associated with painting or sculpture, Giegerich is able to drain the vocabulary of artists such as El Lissitzky, Vladimir Tatlin, and Alexander Rodchenko of its original utopianism, and drive a wedge between the historically encoded past and the more pluralistic, ideologically
  • I Think Therefore I Art
    But the demise of painting had been declared imminent by Alexander Rodchenko in 1921 Such predictions are notoriously inaccurate D W Griffith, in 1915, predicted the obsolescence of the book within ten years; Marshall McLuhan reiterated the prediction in the ’50s





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